innovative. daring. beautiful.
Rockwood Press makes right-sized poetry chapbooks for people who need poems.
We believe chapbooks are an art form as much as a literary form, perfectly suited for revolution, protest, political change, and social critique. They can be both haunting and hauntingly beautiful.
We believe in emerging and established poets and aim to make room for all kinds of mighty voices in teeny books that might not otherwise find their way into the world.
We believe that a work doesn’t have to be full-length to have a full life. That’s why almost all of our releases are open editions.
As the title suggests, the poems in Apocalypse Rainbow journey through a landscape between disaster and hope, past and future, grief and love, hurt and forgiveness. Schnaithmann’s lyrical voice is clear, direct, brave: “Sometimes I write difficult things. / Other times, I think about the bees in the lavender.” Between the two, Schnaithmann weaves calamity and beauty into compact moments that seek ways to live with the unadorned truth of both.
—Hayden Saunier
“Speak now, or forever—” is the last line of one of the powerful poems in Louisa Schnaithmann’s Apocalypse Rainbow. We can infer the rest: “hold your peace.” But the ellipsis suggests another possibility: that we should continue to speak about difficult subjects. Schnaithmann does so masterfully throughout this collection, probing childhood trauma, relationships, sexuality, loss, ambivalence, and “the problem of the body.” She uncovers terrible pain, yes, but also—“in the after-storm”—terrible beauty. “There is a song being sung here,” and it is a pleasure to hear Louisa Schnaithmann sing it.
—Erin Murphy, author of Swoon: New & Selected Poems
Louisa Schnaithmann is the author of Plague Love (Moonstone Arts Center, 2020). Her work has appeared in Eunoia Review, Gargoyle, The Summerset Review, SWWIM, and elsewhere. She lives in the Philadelphia suburbs.
Details
Title: Apocalypse Rainbow
Author: Louisa Schnaithmann
Publisher: Rockwood Press
Released: 2026 - September
Format: chapbook, acid-free paper, silk cover
Pages: 50
Price: $10
ISBN: 978-1-59498-248-4
Apocalypse Rainbow
Apocalypse Rainbow
Recent titles
We Are All Naked in This Land by David J. Kann, coming September 29!
We Are the Borders by Abdullah Bin Imran, coming September 20!
Forsythia Overnight by Dave Malone, coming September 15!
Annunciations by Buffy Shutt, coming September 8!
Apocalypse Rainbow by Louisa Schnaithmann
nor are you free to abandon it by sarah klein
Letters to the Dead by Toni Ortner
Black by the Bedside by Khadija Ceesay
Tiger Bite by Ursula McCabe
Cumulus by Shivani Gupta
minutes between city and forest by Ceridwen Hall
AMERICANAPOCALYPSE by tommy wyatt blake
This Rough Magic by John A. deSouza
View all our available chapbooks
submissions
We select manuscripts through an open submissions process that occurs year-round.
Manuscripts should be tightly linked collections of ten to thirty poems or up to forty pages, submitted in .rtf, .doc, or .docx formats only. All submissions should be made via email. We do not accept unsolicited paper submissions.
Eligibility: Poets writing in English are eligible. Previous book publication is not a consideration. Simultaneous submissions are permissible, but entrants are asked to notify Rockwood Press immediately if a manuscript becomes committed elsewhere.
There is no open submission fee.
We do our best to reply to submissions within one month, but the time can vary depending on submission volume. If your work has not been accepted or declined, it’s still under consideration. Every submission is considered thoroughly before a response is made.
All submissions are eligible for publication by Rockwood Press with a standard royalty contract.
submissions at Rockwood Press dot com
If we seem familiar
That’s because, Rockwood Press, a not-for-profit literary imprint, is a project of Fernwood Press and its parent company, Barclay Press. For years, we’ve made our books and full-length poetry collections available through POD services, but we wanted to produce more books in-house where we have control over color, texture, paper quality, and the overall shape each project takes.
We’ve also seen a ten-fold increase in poetry submissions over the last year and sensed from our conversations with writers that it’s getting harder and harder to find homes for good work.
The project of Rockwood Press is to bring more great poetry into the world in smaller, focused collections that can be produced locally, quickly, and beautifully.
